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African Arts Magazine published Susan Pevar's recounting of the kora making process, and Sing Out! magazine published her article discussing the kora and its music, complete with a acetate recording of a Bai Konte performance. All of these educational materials, combined with multiple regional and national Television and radio feature programs ...
The kora is a 21-string instrument of West African music, similar to the harp or lute, with origins in the 13th-century during the Mali Empire. A kora was historically played only by a jeli (plural jeliw )—also known as a griot [ b ] —a member of a hereditary class of musicians and storytellers responsible for conveying cultural history ...
Contemporary styles of music in West Africa have been influenced by American music, African jazz and gospel music. [2] The forced migration of Africans to the Americas as a result of the transatlantic slave trade gave rise to kaiso [ 3 ] music, which has influenced the sounds of Calypso , [ 4 ] a style with major popularity throughout West Africa.
Mory Kanté (29 March 1950 – 22 May 2020) was a Guinean vocalist and player of the kora harp. He was best known internationally for his 1987 hit song "Yé ké yé ké", which reached number-one in Belgium, Finland, the Netherlands, and Spain. The album it came from, Akwaba Beach, was the best-selling African record of its time. [5]
Kora sheet music (fragment of the score of One Thousand Sources, for solo kora, by Jacques Burtin). As part of the oral tradition of West Africa, music for the kora was not written until the 20th century. Ethnomusicologists were the only ones to record some traditional airs in the normal grand staff method, using the G clef and the F clef.
He spent his childhood in a traditional Gambian village, in a household filled with kora music. Though his father was a master kora player, in griot tradition a father does not teach his own children the instrument. When Foday was nine, his father sent him to live with master kora teacher Sekou Suso in the village of Pasamasi, Wuli District.
Seckou has made several significant contributions to kora music, firstly with developing his original kora tunings in 2002. "There are four basic traditional tunings," he explains, "which are linked to the different regions in Senegal, Gambia, Guinea-Bissau and Mali where the kora is played.
Toumani Diabaté (/ ˌ t u ˈ m ɑː ˌ n i ˌ dʒ ɑː ˈ b ɑː ˌ t eɪ / too-MAH-nee jah-BAH-tay; [2] 10 August 1965 – 19 July 2024) was a Malian kora player. [3] In addition to performing the traditional music of Mali, he was involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles of music. [3]