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Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...
Chromolithographs are considered to be reproductions that are smaller than double demi [clarification needed], and are of finer quality than lithographic drawings which are concerned with large posters. Autolithographs are prints where the artist draws and perhaps prints his own limited number of reproductions. This is the true lithographic art ...
Canvas prints are used as final output for fine art pieces or for reproduction of other types of two dimensional art (drawings, paintings, photograph, etc.). Canvas prints are often used as a cheaper alternative to framed artwork as there is no glazing required and the stretcher is not usually visible, so the prints do not need to be varnished ...
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
From the 1880s, the Talbot-Klič process was used commercially for very high quality reproductions of old master prints, excelling in capturing variations in tone. [1] Photogravure practitioners, such as Peter Henry Emerson, brought the art to a high standard in the late 19th century.
In an intaglio print, the engraved lines print black. Wood engraving is a relief printing technique, with the images made by carving into fine-grained hardwood blocks. Ink is rolled onto the surface of the block, dry paper is placed on top of the block and it is printed either by rolling both through a press, or, by hand, using a baren to rub ...
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