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Vaiṣṇava Sahajiyās held that the erotic flavor of devotion was the superior rasa of divine love. [4] As such, a central practice in their tradition was sexual yoga, which they held re-enacted the divine love between Radha and Krishna and allowed them to taste the flavor (rasa) of the divine love through their own personal experience.
The subject matter of the poetry is the love of Radha and Krishna, on the banks of the Yamuna in Vrindavana; their secret trysts in the forests, Krishna's charms including his magic flute, the love of the gopis for Krishna, Radha's viraha on being separated from Krishna and her anguish on seeing him sporting with the other gopis. Much of the ...
The frame of the Rādhātantram is a dialogue between Shiva and Parvati where Shiva narrates her the love story and divine pastimes of Radha Krishna and their real spiritual forms. In Radha tantra, Radha becomes the independent goddess and elevates to the stature of Supreme goddess and Krishna's ultimate guru. Krishna here becomes her disciple ...
[41] [45] Nimbarka more than any other acharyas gave Radha a place as a deity. [46] Since 15th century in Bengal and Assam flourished Tantric variety of Krishnaism—Vaishnava-Sahajiya linked to the Bengali poet Chandidas, as well as related to it Bauls—where Krishna is the inner divine aspect of man and Radha is the aspect of woman. [47]
Ashtasakhi with Radha Krishna at Sri Radha Rasbihari Ashtasakhi Temple, Vrindavan. Lalita: Out of eight prominent sakhi, Lalita is the foremost sakhi. She is the eldest gopi among Ashtasakhi and is 27 days older than Radha. She was born to her parents Visoka (father) and Saradi (mother) in Unchagaon, near Barsana. [6]
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Lalita (Sanskrit: ललिता, IAST: Lālitā), also commonly called Lalita Sakhi, is the Hindu goddess and one of the most prominent associates of the divine couple Radha Krishna. [1] In many Vaishnaite traditions and literatures, she is revered as the gopi (milkmaid) of the Braj region and is mentioned as the chief of Ashtasakhi , the ...
Effect of light from the rose window in Bari Cathedral, recurring in religious architecture to metaphorically allude to the spiritual light. [1]In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor.
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