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Men typically wore an overcoat called a cioppa, which had lining of a different color than the main fabric, a defining feature of fashion during the Italian Renaissance. Men typically wore hose or tights that emphasized their lower bodies. Men and women wore outer clothes with detachable and often slashed sleeves of varied designs. Wealthy ...
Italian suit makers (35 P) M. Max Mara (3 P) S. Salvatore Ferragamo (6 P) V. Valentino (fashion house) (6 P) Pages in category "Clothing brands of Italy"
As the cut of doublets revealed more fabric, wealthy men's shirts were often decorated with embroidery or applied braid. Over the shirt was worn a doublet . From around the mid-15th century very tight-fitting doublets, tailored to be tight at the waist, giving in effect a short skirt below, were fashionable.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train. The neckline was square and might reveal the kirtle ...
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