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Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole.
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
Multi-track may refer to: Multitrack recording, the process of mixing individual sound sources to a single recording; Multi-track diplomacy, a method of conflict resolution; Multi track, a process of civil litigation in England and Wales Fast Track (disambiguation) Red Book (CD standard), for audio CD and DVD discs containing multiple tracks ...
Multitrack recording; Z. Zoom H4 Handy Recorder This page was last edited on 2 April 2018, at 15:56 (UTC). Text is available under the Creative Commons ...
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production. [1] [2] [3]
Remote recording, also known as location recording, is the act of making a high-quality complex audio recording of a live concert performance, or any other location recording that uses multitrack recording techniques outside of a recording studio. [1] The multitrack recording is then carefully mixed, and the finished result is called a remote ...
Before the introduction of multitrack recording, all the sounds and effects that were to be part of a recording were mixed together at one time during a live performance. If the sound blend was not satisfactory, or if one musician made a mistake, the selection had to be performed over until the desired balance and performance was obtained.
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