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Act 4: a messenger tells Theseus that Hippolytus was torn to pieces by his own horses, and Neptune sends a sea monster, to the prayer of Theseus (1). The chorus gives an account of the fickleness of the great fortunes and perils which they face, recommends the safety of small and deplores the death of Hippolytus.
Hippolytus (Ancient Greek: Ἱππόλυτος, Hippolytos) is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. [1]
The Death of Hippolytus, by Sir Lawrence Alma-Tadema (1836–1912). In Greek mythology, Hippolytus (Ancient Greek: Ἱππόλυτος, romanized: Hippolutos, lit. 'unleasher of horses'; / h ɪ ˈ p ɒ l ɪ t ə s /) [1] is the son of Theseus and an Amazon, either Hippolyta or Antiope.
Theramenes brings news of his son's death: Hippolytus' departing chariot has been interrupted by a terrifying horned monster rising from the waves; mortally wounded by Hippolytus, its death throes drive his horses into a wild frenzy; in their flight, the chariot is dashed against the rocks and their master dragged helplessly to his death.
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Phaedra is a 'concert opera' in two acts by Hans Werner Henze.Its first performance was given at the Berlin State Opera on 6 September 2007. The work is a co-commission and co-production with the Berliner Festspiele, Théâtre de la Monnaie, Brussels, Alte Oper Frankfurt and the Vienna Festival.
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Phaedra's Love is a play by British playwright Sarah Kane. It was first performed in 1996 at London's Gate Theatre, directed by the author. The play is a modern adaptation of Seneca's Phaedra. The play explores the brutal nature of love, social relations, nihilism and belief through the example of an affair between a queen and her stepson.