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In 2000 clarinetist and entrepreneur Morrie Backun opened a small repair shop for woodwind instruments with two employees. After having been commissioned by J. Wesley (Wes) Foster, Principal Clarinet of the Vancouver Symphony Orchestra to overhaul one of his clarinets, Backun was unable to complete the project, as the original barrel of the instrument was missing.
Conservators should be well versed in the pollutants in their area and how they will affect musical instrument conservation. HVAC systems should be up to date and filtering clean air. Conservators should always wear gloves to prevent oil from transferring from hands to the surface of polish or painted instruments. [ 18 ]
Basset clarinet Basset horn Alto Bass Contra-alto Contrabass; Amati-Denak E♭ C, B♭, A, G E♭ B♭ Backun Musical Services B♭, A: A (also joints in A) [1] B♭ E. K. Blessing B♭ Buffet Crampon E♭, D: C, B♭, A: A: F: E♭ B♭ EE♭ Benedikt Eppelsheim BB♭ Dietz Klarinettenbau: G: E♭, D: C, B♭, A, G: B♭, A: F
3 flutes (1 doubling piccolo), piccolo, alto flute, 4 oboes (one doubling English horn), English horn, 3 clarinets (one doubling bass clarinet), D clarinet (doubling E-flat clarinet), bass clarinet, 4 bassoons (one doubling contrabassoon), contrabassoon, 8 horns (2 doubling tenor tuba), 4 trumpets (1 doubling bass trumpet), piccolo trumpet, 3 ...
The International Clarinet Society began in 1964, as the University of Denver called for and funded national conferences to mark its centennial year. Clarinet professor Ralph Strouf organized logistics while his teacher and mentor, Keith Stein, provided artistic direction for the first National Clarinet Clinic, a five-day conference.
D clarinet: D 4: B soprano clarinet: B 3: B ♭ clarinet: B ♭ 3: A soprano clarinet: A 3: Basset clarinet: A 3: A ♭ soprano clarinet: A ♭ 3: Clarinet d’amour: G 3: G Basset clarinet G 3: Basset horn F 3: Alto clarinet: E ♭ 3: C bass clarinet C 3: Bass clarinet B ♭ 2: Contra-alto clarinet: E ♭ 2: Contrabass clarinet: B ♭ 1 ...
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
Around 1917 C.G. Conn introduced drawn tone holes (after a patent by W.S. Haynes in 1914) eliminating the necessity of soft-soldering tone hole platforms onto the bodies of the instruments. Around 1920 C. G. Conn introduced rolled tone hole rims, a feature that enhanced the seal of the pads and extended pad life. Rolled tone holes remained a ...
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