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An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Scholars have noted that the form of the poem follows the content: the wavelike quality of the long-then-short lines parallels the narrative thread of the poem. The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face.
"O Captain! My Captain!" is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime.
The rationale behind using examples of ekphrasis to teach literature is that once the connection between a poem and a painting are recognized, for example, the student's emotional and intellectual engagement with the literary text is extended to new dimensions.
Extended metaphor (aka sustained metaphor): the exploitation of a single metaphor or analogy at length through multiple linked tenors and vehicles throughout a poem. [ 5 ] Allegory : an extended metaphor in which the characters, places, and objects in a narrative carry figurative meaning.
Achsah Guibbory highlights "A Valediction" as an example of both the fear of death that "haunts" Donne's love poetry and his celebration of sex as something sacred; the opening draws an analogy between the lovers' parting and death, while, later on, the poem frames sex in religious overtones, noting that if the lovers were "to tell the layetie ...
The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. For example, the grand speeches in Titus Andronicus, in the view of some critics, often hold up the action, while the verse in The Two Gentlemen of Verona has been described as stilted. [2] [3]
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...