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Umm Kulthum [a] (Arabic: أم كلثوم; 31 December 1898 [3] [4] – 3 February 1975) was an Egyptian singer, songwriter, and film actress active from the 1920s to the 1970s. She was given the honorific title Kawkab el-Sharq (Arabic: كوكب الشرق , lit.
'The Time Has Passed') [1] is one of the iconic songs by the Egyptian singer Umm Kulthum. It was written by Morsi Jamil Aziz , composed by Baligh Hamdi , and sung in 1967. [ 2 ] This song is the second collaboration between Umm Kulthum and lyricist Morsi Gamil Aziz, following " Seret El Hob " (1964) and before " Alf Leila wa Leila " (1969 ...
Umm Kulthum singing on a stage, 1965. Seret El Hob (Arabic: سيرة الحب, lit. 'The Tale of Love') is an Egyptian Arabic song performed by the Egyptian singer Umm Kulthum. The song was written by Morsi Gamil, and composed by Baligh Hamdi. It was released in 1964, and it remains one of Umm Kulthum's most celebrated and iconic works. [1]
Pages in category "Umm Kulthum songs" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. A. Al-Atlal;
Al-Atlal (Arabic: الأطلال, "The Ruins") is a poem written by the Egyptian poet Ibrahim Nagi, which later became a famous song sung by Egyptian singer Umm Kulthum in 1966. [1] The songs text was adapted by Umm Kulthum and its melody composed by the Egyptian composer Riad Al Sunbati [2] two years after her first song composed by Mohamed ...
"Inta Omri" (Egyptian Arabic: إنت عمري; also transliterated as Enta Oumri, Inta Omry, or Ente Omry) is a popular Egyptian song by Umm Kulthum. [2] [3] It was released in March 1965 by Sono Cairo Records. [1]
Prior to being adopted as the UAR's national anthem, it was used as a nationalist song performed by Umm Kulthum during the Suez Crisis in 1956, known in Egypt and the Arab world as the Tripartite Aggression, when Egypt was invaded by the United Kingdom, France, and Israel. Due to its strongly nationalist lyrics evoking national resistance, the ...
Rami influenced the legendary Egyptian singer Umm Kulthum, who sang around 200 of his songs. He was introduced to Umm Kulthum in 1924 after his return to Cairo from studies in Paris. She described him as a spiritual combination of inspired feelings, deep suppressed revolution, tranquility and devotion. [citation needed]. He wrote a poem for her ...