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André Watts (June 20, 1946 – July 12, 2023) was an American classical pianist. Over the six decades of his career, Watts performed as soloist with every major American orchestra and most of the world's finest orchestras, [1] including the New York Philharmonic, National Symphony Orchestra, and London Symphony Orchestra.
Margaret Rosezarian Harris was born in Chicago, Illinois, [2] the daughter of Dewey Harris, a railroad mechanic, and Clara Townsend Harris, a dressmaker. At age 3, she was recognized as a musical prodigy, and gave her first piano recital at Chicago's Cary Temple Auditorium, performing more than twenty short pieces from memory.
The immediate opening lures you in with a few familiar quotes, but soon the composition heads into otherworldly passages, with an exploratory treatment," for, with "a range of bass drums, Eastern percussion hints, and interjections of orchestral warm-up moments," the "composition slips by in the shadows, remaining obscured even while enunciating.".
The piano starts to play very low notes during the theme introduced by the strings and clarinet. In this first section, while the melody is stated by the orchestra, the piano takes on the role of accompaniment, [95] consisting of rapid oscillating arpeggios between both hands which contribute to the fullness and texture of the section's sound ...
Concerto for Piano and Orchestra, No. 3 in A major; Concerto for Piano and Orchestra, No. 4 in G minor; Concerto for Piano and Orchestra, No. 5 in D major; Concerto for Piano and Orchestra, No. 6 in B-flat major; Concerto for Piano and Orchestra, No. 7 in A major; Concerto for Piano and Orchestra, No. 8 in C major; Selim Palmgren
The most famous include two concertos for horn, which are still part of the standard repertoire of most horn soloists—Horn Concerto No. 1 (1883) and Horn Concerto No. 2 (1942); the Romanze for cello and orchestra (1883); a Violin Concerto in D minor (1882); the Burleske for piano and orchestra (1885, revised 1889); the tone poem Don Quixote ...
The idea of a concertante work for piano and orchestra came indirectly from Debussy, who had written to his publisher Jacques Durand that he was thinking of a series of Concerts for piano and various instrumental groups. After Debussy's death in 1918, Durand suggested the idea to Fauré.
Performance of a piano concerto involves a piano on stage with the orchestra. A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.