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If any of the production tracks are unusable they can be replaced by either alternate production tracks recorded on set or by ADR, automated dialogue replacement, which is recorded after the shoot with the actors watching their performances in a sound studio and rerecording the lines. Large productions may have an ADR editor working under the ...
Year Film Winners/Nominees 2010 [1] [2] [3]Best Sound Editing – Direct to Video – Animation Family Guy: It's a Trap! Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Stuart Martin (sound effects editor); Mark Eklund (dialogue editor); Patrick S. Clark, Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (Foley artist)
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
Year Film Winners/Nominees Country 1990: Quigley Down Under: Tim Chau, Frank Lipson, Gavin Myers, Martin Oswin Australia United States 1991: Black Robe: Penn Robinson (supervising sound editor), Jeanine Chiavlo (supervising dialogue/ADR editor); Karin Whittington (sound editor); Frank Morrone (dialogue/ADR editor/ADR mixer); Stephanie Flack (dialogue & ADR editor); David Grusovin, Susan ...
Synchronized clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip. Compound clips: Nested sequences from the original Final Cut Pro have been replaced by compound clips. A selection of video and audio clips can be nested into a single compound ...
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes is an annual award given by the Motion Picture Sound Editors.
Resul Pookutty (supervising sound editor, sound designer, supervising dialogue/adr editor), Amrit Pritam Dutta (supervising sound editor, sound designer), Vijay Kumar (supervising foley editor, sound effects editor), Karnail Singh, Sajjan Choudhary (foley artists), Sampath Alwar (sound effects editor, dialogue/adr editor), Krsna Solo (music editor)
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