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Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
Macbeth and Banquo Meeting the Three Witches by John Wootton. Many scholars see Banquo as a foil and a contrast to Macbeth. Macbeth, for example, eagerly accepts the Three Witches' prophecy as true and seeks to help it along. Banquo, on the other hand, doubts the prophecies and the intentions of these seemingly evil creatures.
Macbeth, Thane of Glamis, and Banquo, Thane of Lochaber, having led King Duncan's army to victory over the traitorous Thane of Cawdor, are approached by three witches on the battlefield. The witches hail Macbeth as the future Thane of Cawdor and proclaim that he shall some day be King and that Banquo shall father a line of kings.
These so-called "pretty wrongs" are said to occur when the speaker is "sometime absent" from the youth's heart, meaning when the youth forgets his love for the speaker. The beauty and the years "befits" (accords with) the wrongs, where "befits" is the Elizabethan usage of a singular verb with a plural subject [ 8 ] which, according to Katherine ...
Thyself thou gav’st, thy own worth then not knowing, Or me, to whom thou gav’st it, else mistaking; So thy great gift upon misprision growing Comes home again, on better judgment making. Thus have I had thee as a dream doth flatter, In sleep a king, but waking no such matter.
Elsewhere, Macbeth and Banquo wander on a heath when the three witches appear, puzzling the other two when they prophetically hail Macbeth as "Thane of Glamis" and "Thane of Cawdor", next saying he shall "be king hereafter". Banquo asks of his own fortunes, and the witches respond that he will father a line of kings, though he himself will not ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.