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Milky Cartoon and Unframe, Inc. launched a mobile game based on the show in October 2018 for Android and iOS, titled Gregory Horror Show: Lost Qualia. It has yet to be released outside of Japan. Gregory Horror Show: Lost Qualia is a Gacha-based RPG mobile game that combines the elements of dungeon crawling with a Gacha card system.
Gregory Horror Show, known in Japan as Gregory Horror Show: Soul Collector, [a] is a survival horror game based on the computer-generated imagery (CGI) anime series of the same name. The game was published by Capcom in Japan and Europe, but was not released in North America. A screenshot of the game where a player is being chased
Gregory Horror Show is a board game published by Upper Deck Entertainment in 2002. Gameplay. Gregory Horror Show is a customizable game based on the Japanese ...
Midnight Horror School (Japanese: ミッドナイトホラースクール) is a Japanese anime series created by Naomi Iwata (who also created Pecola and Gregory Horror Show), [1] and produced by Milky Cartoon. [2] The series began in October 2003 until March 2004, and aired on the satellite network Animax.
Pecola (Japanese: ペコラ, Pekora) is an animated children's television series that features cube-shaped anthropomorphic animals in a place named Cube Town.The series is based on a series of children's picture books by Naomi Iwata.
Gregory Horror Show: 4 88 Milky Cartoon Japan 1999–2001 TV Asahi: Insektors: 2 26: France 1994–1995 Canal+ (France) YTV (Canada) Channel 4 (United Kingdom) Nickelodeon (United Kingdom; 2000) Jay Jay the Jet Plane: 4 62: PorchLight Entertainment Modern Cartoons Wonderwings.com Entertainment Knightscove Family Films United States 1998–2006
The Beat Goes On: The Best of Sonny & Cher, 1991; The Beat Goes On (Emilie-Claire Barlow album), 2010; The Beat Goes On (Cash Cash album), 2012... and the Beat Goes On!, 1995 album by Scooter...The Beat Goes On, 2005 album by Blacklisted; The Beat Goes On, a 2009 album by Swedish singer Eva Eastwood; The Beat Goes On (Super Junior D&E EP), 2015
The backing music for the song was recorded using a group of Los Angeles session musicians nicknamed "The Wrecking Crew."The arrangement is credited to Harold Battiste, but Wrecking Crew bassist Carol Kaye asserts that at the session she devised the distinctive syncopated bass line that is featured on the released recording, replacing the original walking bass line in the prepared arrangement: