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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
An average handcrafted nutcracker doll is made out of about 60 separate pieces. [2] Nutcracker dolls traditionally resemble toy soldiers, and are often painted in bright colors. [1] Different designs proliferated early; by the early 19th century there were ones dressed as miners, policemen, royalty or soldiers from different armies. [2]
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play.
Through Schoenfeldt's literary research, he reveals the interaction between "flesh and thought" during Shakespeare's time period. [14] The dynamic that Shakespeare plays with in the "feeling" and the "form" of the sonnet portrays a "feeling in the form". He uses both the physical form and symbolic meaning of the sonnet art form. [15] "
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
Their popularity grew in the 19th century and spread throughout Europe, prompting Prussian author E. T. A. Hoffmann to pen a children's short story in 1816 called The Nutcracker and the Mouse King.
—William Shakespeare [1] Shakespeare 's Sonnet 58 is a syntactic and thematic continuation of Sonnet 57 . More generally, it belongs to the large group of sonnets written to a young, aristocratic man, with whom the poem's speaker shares a tempestuous relationship.
Although known as "Sonnet 126", this poem is not formally a sonnet in the strict sense, and is one of only two poems in the series (the other being Sonnet 99) which do not conform to Shakespeare's typical rhyme scheme. Instead of 14 lines rhyming abab cdcd efef gg, the poem is composed of six couplets (aa bb cc dd ee ff).