Search results
Results from the WOW.Com Content Network
The Louis XIII style or Louis Treize was a fashion in French art and architecture, especially affecting the visual and decorative arts. Its distinctness as a period in the history of French art has much to do with the regency under which Louis XIII began his reign (1610–1643).
The Vow of Louis XIII is an 1824 oil painting on canvas by the French Neoclassical artist Jean-Auguste-Dominique Ingres, now in Montauban Cathedral. The painting depicts a vow to the Virgin Mary by Louis XIII of France. It was commissioned by France's Ministry of Interior in August 1820 for the cathedral of Notre-Dame in Montauban.
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
Louis period styles is the collective name for five distinct styles of French architecture and interior design. The styles span the period from 1610 to 1793. The styles span the period from 1610 to 1793.
The theme was the re-establishment of the bond between the church and the state. Ingres's painting, The Vow of Louis XIII (1824), inspired by Raphael, was purely in the Renaissance style, and depicted King Louis XIII vowing to dedicate his reign to the Virgin Mary. This was perfectly in tune with the doctrine of the new government of the ...
The last painting in the cycle, The Triumph of Truth, is a purely allegorical depiction of King Louis XIII and his mother, the Queen, reconciling before heaven. [108] The Queen and Louis XIII are depicted floating in heaven, connected by the symbol of concordia, which demonstrates her sons’ forgiveness and the peace that was reached between them.
Simon Vouet was born on January 9, 1590, in Paris. [3] His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was also a painter, as also was Simon's wife Virginia da Vezzo, their son Louis-René Vouet, their two sons-in-law, Michel Dorigny and François Tortebat, and their grandson Ludovico Dorigny.
The Louis XIV style had three periods. During the first period, which coincided with the youth of the King (1643–1660) and the regency of Anne of Austria, architecture and art were strongly influenced by the earlier style of Louis XIII and by the Baroque style imported from Italy.