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Arquette's inspiration for the project was twofold. The first film she ever saw was The Red Shoes, the story of a woman unable to choose between her dedication to her art and the prospect of lifelong love. The character's emotional struggle left an indelible impact on Arquette.
You can go from a jazzy number that spells out letters (like “L-O-V-E” by Nat King Cole) to a rock hit that breaks down the true meaning of love (like “I Want to Know What Love Is” by ...
In 1998, she had a No. 1 hit single on the U.S. Hot Dance Club Play chart and a No. 8 hit on the UK Singles Chart with her cover version of Everything but the Girl's "I Didn't Know I Was Looking for Love", under the simpler title of "Looking for Love". [1] Her second album, entitled Bees in the Trees, was released exclusively on iTunes in May 2006.
Madonna was inspired by the look that actor James Stewart gave actress Grace Kelly in the 1954 film Rear Window. Madonna said: "I can't describe it, but that is the way I want someone to look at me when he loves me. It's the most pure look of love and adoration. Like surrender. It's devastating."
Such adjective phrases can be integrated into the clause (e.g., Love dies young) or detached from the clause as a supplement (e.g., Happy to see her, I wept). Adjective phrases functioning as predicative adjuncts are typically interpreted with the subject of the main clause being the predicand of the adjunct (i.e., "I was happy to see her"). [11]
Dedicated to You is a 1961 album by Ray Charles. Originally released in January 1961 the album collects Charles' musical love notes to twelve very special women, by name. A 1998 Rhino Records re-issue combined, on a single CD, Dedicated to You and Ray Charles and Betty Carter.
"I love New Orleans physically. I love the trees and the balmy air and the beautiful days. I have a beautiful house here." — Anne Rice "If you love New Orleans, she'll love you back." — Drew Brees
Fanfares for the Uncommon Woman is a series of six short compositions, or “parts” of one 25-minute composition, by Joan Tower. Parts I and II are scored for brass and percussion, parts III and V are scored for brass ensembles, and Parts IV and VI for full orchestra .