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Ranni the Witch (also known as Lunar Princess Ranni) is a character from the 2022 video game Elden Ring, and is voiced by Aimee-Ffion Edwards. [1] A powerful witch, Empyrean, and supporting character inhabiting the body of a human-sized doll, and a major figure in the game's lore, she desires to overthrow the Two Fingers and replace the Golden Order with the power of the Dark Moon.
Starscourge Radahn was the child of Radagon - a red-haired champion of the game's Golden Order faction, who worship a cosmic entity known as the Greater Will - and Rennala, queen of the Carians, a group of moon-worshiping nobles and astrologers predating the Elden Ring who draw power from the stars.
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
"The Age of Love" is a 1990 self-titled track by Italian-Belgian duo Age of Love. It is notable as an early popular example of trance music. [3]Released as a single in 1990 on the Belgian label DiKi Records, [4] it was written by Bruno Sanchioni and Giuseppe Chierchia, and produced by Sanchioni and Roger Samyn, the owner of DiKi Records.
"L-O-V-E" was covered in Japanese by Yōko Oginome as her 41st single, released on October 24, 2011, by Victor Entertainment.Based on the 1965 version recorded by Hibari Misora, the song was used by TBS as the theme song of the drama series Love & Fight.
The Rani is an amoral biochemist who experiments on humans and other species, and considers everything secondary to her research. The character appeared in two classic serials, The Mark of the Rani (1985) and Time and the Rani (1987), before the original run of Doctor Who went off the air in 1989.
The Iraiyanar Akapporul in its present form is a composite work, containing three distinct texts with different authors. These are sixty nūṟpās which constitute the core of the original Iraiyanar Akapporul, a long prose commentary on the nūṟpās, and a set of poems called the Pāṇṭikkōvai which are embedded within the commentary.
Fragment 31 is composed in Sapphic stanzas, a metrical form named after Sappho and consisting of stanzas of three long followed by one short line. [b] Four strophes of the poem survive, along with a few words of a fifth. [1] The poem is written in the Aeolic dialect, which was the dialect spoken in Sappho's time on her home island of Lesbos.