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Benvenuto Cellini (/ ˌ b ɛ n v ə ˈ nj uː t oʊ tʃ ɪ ˈ l iː n i, tʃ ɛ ˈ-/, Italian: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, and author.
Benvenuto Cellini's physical appearance is determined based on a number of his lifetime portraits. However, due to a few known portraits from the 17th – 20th century, where the artists drew Cellini's facial traits from their imagination, as well as because of past posthumous erroneous attributions, there is a level of confusion on this subject.
The Saliera. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini (c.1500-1571). It was completed in 1543 for Francis I of France (r.1515-1547), from silver plate models that had been prepared many years earlier for Cardinal Ippolito d'Este (c.1479-1520).
Nymph of Fontainebleau at the Louvre (H. 2.05 m; L. 4.09 m) [1]. The Nymph of Fontainebleau (French: Nymphe de Fontainebleau), also known as the Nymph of Anet (French: Nymphe d'Anet) or the Nymph with the Stag (French: Nymphe au cerf), is a c.‑1543 bronze relief (Paris, Louvre, MR 1706 [1]), created by the Italian sculptor Benvenuto Cellini for the Château de Fontainebleau in France.
Cellini also invokes Christ and by doing so he breathes life into the sculpture. [18] Casting the Perseus was more than meeting the demand of Cosimo I; Cellini was proving himself to Florence in a newly refurbished medium. Perseus was one of Cellini's crowning works, completed with two different ideas in mind.
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Benvenuto Cellini (1500–1571) was an Italian goldsmith, painter, sculptor, soldier and musician of the Renaissance. Cellini may also refer to: Cellini, a 2001 play by John Patrick Shanley; Cellini (surname) Cellini (horse) Cellini (apple), see Laxton's Superb