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Benvenuto Cellini (/ ˌ b ɛ n v ə ˈ nj uː t oʊ tʃ ɪ ˈ l iː n i, tʃ ɛ ˈ-/, Italian: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, and author.
All the self-portraits by Benvenuto Cellini correspond to his literary self-portrayal in presenting him as a heroic personality. The heroic nature of artistic images is achieved with the help of a technique discovered by Michelangelo and known as «terribilità». This is created by frowning the brows and bearing a confident look in the eyes.
Cellini also invokes Christ and by doing so he breathes life into the sculpture. [18] Casting the Perseus was more than meeting the demand of Cosimo I; Cellini was proving himself to Florence in a newly refurbished medium. Perseus was one of Cellini's crowning works, completed with two different ideas in mind.
The Saliera. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini (c.1500-1571). It was completed in 1543 for Francis I of France (r.1515-1547), from silver plate models that had been prepared many years earlier for Cardinal Ippolito d'Este (c.1479-1520).
Nymph of Fontainebleau at the Louvre (H. 2.05 m; L. 4.09 m) [1]. The Nymph of Fontainebleau (French: Nymphe de Fontainebleau), also known as the Nymph of Anet (French: Nymphe d'Anet) or the Nymph with the Stag (French: Nymphe au cerf), is a c.‑1543 bronze relief (Paris, Louvre, MR 1706 [1]), created by the Italian sculptor Benvenuto Cellini for the Château de Fontainebleau in France.
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