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An illustration shows this C7 voicing (C, E, G, B ♭), which would be extremely difficult to play in standard tuning, [30] besides the openly voiced C7-chord that is conventional in standard tuning: [30] This open-position C7 chord is termed a second-inversion C7 drop 2 chord (C, G, B ♭, E), because the second-highest note (C) in the second ...
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
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For triadic chords, doubling the third interval, which is either a major third or a minor third, clarifies whether the chord is major or minor. [ 40 ] Unlike a piano or the voices of a choir, the guitar (in standard tuning) has difficulty playing the chords as stacks of thirds, which would require the left hand to span too many frets, [ 41 ...
In standard jazz harmony, tritone substitution works because the two chords share two pitches that themselves are a tritone apart: namely, the third and the seventh of the chord, albeit reversed. [8] In a G 7 chord, the third is B and the seventh is F; in its tritone substitution, D ♭ 7 , the third is F and the seventh is C ...
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