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The S4 camera was designed later to answer the need for full coverage of the 4x5 inches format, whereas the SLV camera could not give enough versatility with this format. Standard 4x5 inches back with format adapters for 6x9 and 6x12, interchangeable backs with short rotation attachment 8° and bayonet attachment or interchangeable lens boards ...
Polaroid Type 55 (like all Type 50 series film) requires a Polaroid Model 545 Film Packet Back. This is mounted onto the back of a camera, usually a large format 4x5 inch type, in place of a conventional film carrier. A self-contained waterproof transparent sleeve containing positive and negative film sheets and a small reservoir of reagent gel ...
The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25x4.25 inches (8.3x10.8 cm)), 5×7 inches (12.7x17.8 cm), and 8×10 inches (20×25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and Master View cameras ...
Fujifilm FinePix X100. This is a list of large sensor fixed-lens cameras, also known as premium compact cameras or high-end point-and-shoot cameras.These are digital cameras with a non-interchangeable lens and a 1.0‑type (“1‑inch”) image sensor or larger, excluding smartphones and camcorders.
Rodenstock lenses for large-format cameras; L–R: Grandagon-N 115 mm f /6.8, Apo-Sironar-S 210 mm f /5.6, Grandagon-N 90 mm f /4.5 Rodenstock Photo Optics traces its origins to a mechanical workshop founded in 1877 by Josef Rodenstock and his brother Michael in Würzburg, Germany.
The Fine-Art XXL line is designed for ultra-large format shooting, covering 20×24 inches. Both lenses are large and heavy, but are designed with exceptional image quality and a huge 900 mm circle of coverage in mind. The 550 mm lens is a 6/2 construction, giving 78° of coverage, while the 1100 mm lens is 4/4 with 45.7° of coverage.
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