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The Fulham gladius or Mainz-Fulham gladius was a Roman sword that was used after Aulus Plautius' invasion of Britain in 43 AD. [24] The Romans used it until the end of the 1st century. The Fulham gladius has a triangular tip. The length of the blade is 50–55 cm (20–22 in). The length of the sword is 65–70 cm (26–28 in).
Re-enactor with Pompeii-type gladius The Mainz Gladius on display at the British Museum, London. Gladius is the general Latin word for 'sword'. In the Roman Republic, the term gladius Hispaniensis (Spanish sword) referred (and still refers) specifically to the short sword, 60 cm (24 inches) long, used by Roman legionaries from the 3rd century BC.
Welcome to my world; I always have an earworm providing background music to my life. Crossword Puzzle Theme Synopsis GETTING OLDER (20A: Billie eolith song with the lyrics "I think I'm aging well")
[11] [12] The gladius replaced the generally shorter stabbing swords of Italic design used until then. [13] The Romans were able to marry, from the time for the Second Punic War, the superb design of the gladius with the finest-quality steel then available in western Europe, Noric steel, from the Alpine kingdom of Noricum (roughly modern Austria).
Though Appalachian and African American folk music became the basis for most of American popular music, the United States is home to a diverse assortment of ethnic groups. In the early 20th century, many of these ethnic groups supported niche record industries and produced minor folk stars like Pawlo Humeniuk , the "King of the Ukrainian ...
William Billings' The New-England Psalm-Singer is the first compilation of entirely American music and the first compiled by a native-born American to be published, [102] first major publication by a singing master, [101] and the first tunebook in the country dedicated to the music of a single composer.
This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush, the Civil War and Reconstruction, and touches on topics related to the intersections of music and law, commerce and industry, religion, race, ethnicity, politics, gender, education, historiography and academics.
It was not until the 1890s that Native American music began to enter the American establishment. At the time, the first pan-tribal cultural elements, such as powwows, were being established, and composers like Edward MacDowell and Henry Franklin Belknap Gilbert used Native themes in their compositions.