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The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Some Holiness Churches of the Methodist tradition, such as the Free Methodist Church, opposed the use of musical instruments in church worship until the mid-20th century. The Free Methodist Church allowed for local church decision on the use of either an organ or piano in the 1943 Conference before lifting the ban entirely in 1955.
Sheet music for popular tunes dating as far back as 1865. Items are scanned at 600 dpi and saved as a TIFF files. Mississippi State University: CHASE research project, University of Leeds, UK: 19th- and early 20th-century performing editions of string music 2,000 AHRC-funded research project containing music files viewable on-site or as downloads.
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Jonathan Andre of 365 Days of Inspiring Media gave a positive review of "Sunday Sermons", saying: "the song is a reminder that we must not place tremendous importance on the big moment in someone's life, that just because someone has a 'w0ow' moment and they come to Christ in a profound way, doesn't mean that someone else's experience of growing up in a Christian home and becoming a Christian ...
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Ave Maria consists of a total of 36 bars and usually takes around a minute to perform. Given the fact that the church restricted all kinds of instruments in liturgical pieces, the piece is scored for a SATB chorus and is designed in a way that it doesn't require the choir to have reached high musical attainments. [7]