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Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
Marc-Antoine Charpentier composed six Te Deum settings, but only four of them have survived (H.145, H.146, H.147, H.148). [1] Largely because of the great popularity of its prelude, the best known is the Te Deum in D major, H.146, written as a grand motet for soloists, choir, and instrumental accompaniment probably between 1688 and 1698, during Charpentier's stay at the Jesuit Church of Saint ...
2 Latin motets. 3 English service music. ... This is a list of compositions by the English composer Thomas Tallis (c. 1505–1585). ... Te Lucis Ante Terminum
The Old Hymnal consists of the extant Latin hymns composed during the 4th and 5th centuries. The hymns of the Old Hymnal are in a severe style, clothing Christian ideas in classical phraseology, and yet appealing to popular tastes. At the core of these is the hymn Te Deum.
Te Deum is a sacred choral composition by Karl Jenkins, written in 2008. It is an extended setting of the Te Deum in Latin . Te Deum is often performed together with the composer's Gloria .
The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous Grande Messe des Morts , it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music."
Te Deum is a setting of the Latin Te Deum text, also known as the Ambrosian Hymn attributed to Saints Ambrose, Augustine, and Hilary, by Estonian-born composer Arvo Pärt, commissioned by the Westdeutscher Rundfunk in Cologne, Germany, in 1984.
Peter Reulein's Te Deum is a choral composition completed in 2018, a setting of the Te Deum. It is scored like Palmeri's Misatango, for four-part choir , bandoneon, piano and strings; it also uses Latin-American dance rhythms.