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Thomas Tallis, 18th-century engraving; a posthumous, invented portrait [1] by Gerard Vandergucht This is a list of compositions by the English composer Thomas Tallis (c. 1505–1585). Masses
Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)". [1]
Thomas Tallis (/ ˈ t æ l ɪ s /; [2] also Tallys or Talles; c. 1505 – 23 November 1585 [n 1]) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
Thomas Tallis, a prominent musician of the Chapel Royal at the time, was among the first to write sacred music in English. [7] "If Ye Love Me" is a setting for an a cappella choir of four voice parts, and it is a noted example of this Reformation compositional style, essentially homophonic [citation needed] but with some elaboration and imitation.
The Dutch tradition of writing English grammars, which began with Thomas Basson's The Conjugations in Englische and Netherdutche in the same year—1586—as William Bullokar's first English grammar (written in English), gained renewed strength in the early 20th century in the work of three grammarians: Hendrik Poutsma, Etsko Kruisinga, and ...
Compositions by English Renaissance composer Thomas Tallis. Pages in category "Compositions by Thomas Tallis" The following 4 pages are in this category, out of 4 ...
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music. H. B. Collins described it in 1929 as Tallis's "crowning achievement", along with his Lamentations. [1]
Tallis", [10] and a reference in the Cantiones sacrae, published by Byrd and Thomas Tallis in 1575, tends to confirm that Byrd was a pupil of Tallis in the Chapel Royal. [11] If he was—and conclusive evidence has not emerged to verify it [ 12 ] —it seems likely that once Byrd's voice broke, the boy stayed on at the Chapel Royal as Tallis's ...