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Representations of ideal wives were abundant in Victorian culture, providing women with their role models. The Victorian ideal of the tirelessly patient, sacrificing wife is depicted in The Angel in the House, a popular poem by Coventry Patmore, published in 1854: Man must be pleased; but him to please Is woman's pleasure; down the gulf
The long 1854 poem The Angel in the House by Coventry Patmore (1823–1896) exemplified the idealized Victorian woman who is angelically pure and devoted to her family and home. The poem was not a pure invention but reflected the emerging legal economic social, cultural, religious and moral values of the Victorian middle-class.
This value system emphasized new ideas of femininity, the woman's role within the home and the dynamics of work and family. "True women", according to this idea, were supposed to possess four cardinal virtues: piety, purity, domesticity, and submissiveness. The idea revolved around the woman being the center of the family; she was considered ...
It is a subcategry of People of the Victorian era, and should only contain women active in Britain or in the British Empire. Only women who were notable during the Victorian era should be placed here: women who were born during the Victoria era, but active later, such as in the Edwardian era, should not be placed here.
For example, people going for a bath in the sea or at the beach would use a bathing machine. Despite the use of the bathing machine, it was still possible to see people bathing nude. [citation needed] Contrary to popular conception, however, Victorian society recognised that both men and women enjoyed copulation. [18]
The Victorian age is experienced through the eyes of the fictional Morland family in The Abyss, The Hidden Shore, The Winter Journey, The Outcast, The Mirage, The Cause, The Homecoming and The Question, Volumes 18–25 respectively of The Morland Dynasty, a series of historical novels by author Cynthia Harrod-Eagles. One of the characters ...
“The Nevers,” which was ordered straight-to-series in July 2018, is an epic science-fiction drama about a group of Victorian women who find themselves with unusual abilities, relentless ...
The third period in Victorian jewellery is known as the Aesthetic period or the late Victorian period. [4] During this period, there was a distinct change in how women wore jewellery. This period encouraged the agency of women in society, with women’s rise to power with the creation of their own political organisations. [4]