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Metro-Goldwyn-Mayer (MGM) approached Panavision founder Robert Gottschalk in the late 1950s to create a large-format widescreen system capable of filling the extremely wide screens of Cinerama theaters while using a single projector, and would also be capable of producing high-quality standard 70 mm and 35 mm CinemaScope prints, which Cinerama's three-strip process did not allow for.
A second version called the Panasonic Lumix G X Vario 12-35mm F2.8 II was released in 2017, [1] and a third version called the Panasonic Leica DG Vario-Elmarit 12-35mm F2.8 was released in 2022. [2] Both versions appear to contain the same optical elements and are the same size and nearly the same weight as the original.
Ultrawide formats refers to photos, videos, [1] and displays [2] with aspect ratios greater than 2. There were multiple moves in history towards wider formats, including one by Disney, [ 3 ] with some of them being more successful than others.
0–9. Panasonic Lumix 7–14mm lens; Panasonic Leica DG Vario-Elmarit 8-18 mm; Panasonic Lumix G X Vario 12-35mm; Panasonic Lumix G 14mm lens; Panasonic Lumix G X Vario PZ 14-42mm
It is still prevalent in projection systems, using anamorphic lenses, and supported by a number of consumer electronics devices, including Blu-ray players and video scalers. It is also used in computer monitors, where the term "21:9" can represent aspect ratios of 43:18 (2.3 8 :1 or 21.5:9) and 12:5 (2.4:1 or 21.6:9) in addition to 64:27.
It is the prime-lens option available with the Panasonic GF2 and GF3, and available separately. Focusing is claimed to be suitable for video ("MSC"- movie and stills compatible), with a fast, quiet autofocus motor. The lens is "focus by wire"- the focusing ring sends commands, while the actual actuation is via a motor, even for manual focus.
The Panasonic Leica D Vario-Elmarit 14-50mm F2.8-3.5 ASPH Mega OIS is an interchangeable camera lens announced by Panasonic on February 26, 2006. [1] It was the first Leica lens with optical image stabilisation .
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