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In another example, Frodo carries a burden of evil on behalf of the whole world, just as Jesus carried his cross for the sins of mankind. [37] Frodo walks his "Via Dolorosa" to Mount Doom, just like Jesus who made his way to Golgotha. [38] As Frodo approaches the Cracks of Doom, the Ring becomes a crushing weight, just as the cross was for Jesus.
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
Gandalf is given several names and epithets in Tolkien's writings. Faramir calls him the Grey Pilgrim, and reports Gandalf as saying, "Many are my names in many countries. Mithrandir [a] among the Elves, Tharkûn to the Dwarves, Olórin I was in my youth in the West that is forgotten, in the South Incánus, in the North Gandalf; to the East I ...
Frodo had not actually been dead, but he looked it, and death was undoubtedly close. Steed comments that Sam was an "odd" fit for the pattern of the Christ-like irresistible force, but in the narrative he indeed plays the part of the "light-bearing liberator at the center of the Harrowing of Hell motif". [13]
Tolkien describes Galadriel as "the mightiest and fairest of all the Elves that remained in Middle-earth" (after the death of Gil-galad) [T 1] and the "greatest of elven women". [T 2] The Tolkien scholar Tom Shippey has written that Galadriel represented Tolkien's attempt to re-create the kind of elf hinted at by surviving references in Old ...
Tolkien's illustration of the Doors of Durin for The Fellowship of the Ring, with Sindarin inscription in Tengwar script, both being his inventions. Despite his best efforts, this was the only drawing, other than maps and calligraphy, in the first edition of The Lord of the Rings. [1]
The name "Moria" means "the Black Chasm" or "the Black Pit", from Sindarin mor, "dark, black" and iâ, "void, abyss". [T 1] The element mor had the sense "sinister, evil", especially by association with infamous names such as Morgoth and Mordor; indeed Moria itself had an evil reputation by the times in which The Hobbit and The Lord of the Rings are set.