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A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
A fiction writer is thus free to invent very specific events and characters in the imagined history. An example of a counterfactual question would be: "What if the Pearl Harbor attack did not happen?"; whereas an alternate history writer would focus on a possible series of events arising therefrom.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
Music history is the academic study of the history of music. Subcategories. This category has the following 28 subcategories, out of 28 total. ... additional terms ...
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Musical fiction is a genre of fiction in which music is paramount: both as subject matter, and through the rhythm and flow of the prose; that is, music is manifested through the language itself.
The essence of fictional music is usually to convince the recipient that he could experience it in the real world. [1] [2] It often has a diegetic character. [3]Depending on a work, it can be serious, but it can also take on a playful and parodic character (e.g. in concert from the 1964 film The World of Henry Orient).