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Aespa's official logo. Ningning was introduced as a member of pre-debut training team SM Rookies on September 19, 2016. As part of the team, she appeared on the Rookies Princess: Who's the Best? segment of the program My SMT that year and recorded several covers for the Korean animated TV program Shining Star in 2017.
Synk: Parallel Line is the ongoing second worldwide concert tour by South Korean girl group Aespa, in support of their first studio album Armageddon (2024). The tour began on June 29, 2024, at Jamsil Indoor Stadium, and will conclude on March 16, 2025, at KSPO Dome in Seoul, South Korea.
Synk: Hyper Line was the first worldwide concert tour by South Korean girl group Aespa, in support of their extended plays Savage (2021), Girls (2022), and My World (2023). The tour began on February 25, 2023, in Seoul, South Korea and concluded on September 30, 2023, in Paris, France.
On February 19, 2024, Aespa officially announced their second world tour, Synk: Parallel Line, via X and Weverse, with the first stop scheduled in Seoul on June 29 and 30, 2024. [2] During their first stop in Seoul, the members unveiled solo performances featuring new, unreleased tracks. Each member participated in writing their solo songs.
Songs recorded by Aespa; Title Year Lyricist Composer Arranger Album Ref. "Aenergy" 2021 Yoo Young-jin: Kill Dave Pat Morrissey Jess Corazza Yoo Young-jin Kill Dave Pat Morrissey Yoo Young-jin Savage [1] "Armageddon" † 2024 Bang Hye-hyun (Jam Factory) Ejae Sumin Waker (153/Joombas) No Identity No Identity Armageddon [2] "Bahama" Kenzie ...
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On April 22, 2024, SM Entertainment announced that Aespa would be releasing their first studio album titled Armageddon.It was also announced that the album would feature two singles: "Supernova" and "Armageddon", with the former releasing on May 13 and the latter, along with the album, on May 27. [1]
Abbie Aitken writing for Clash called Drama as "a welcomed expansion to the Aespa universe [by] present[ing] the vocal prowess of [Aespa] and highlights their versatile musicality". She concluded that the "narrative got slightly muddled [by] the overall energy, especially from [the lead single], [making the listener] felt rousing [while] eager ...
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