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Glory is an instrumental album by Christian recording artist Michael W. Smith. Released in November 2011, the album is Smith's second instrumental album following Freedom in 2000. [ 2 ] The album was recorded with a 65-piece orchestra at AIR Studios Lyndhurst Hall in London and Wildwood Recording Studio in Nashville. [ 3 ]
And Christ is Lord indeed. Stand up! Stand up for Jesus! The trumpet call obey, Forth to the mighty conflict In this his glorious day. Ye that are men now serve him Against unnumbered foes: Let courage rise with danger, And strength to strength oppose. Stand up! Stand up for Jesus! Stand in his strength alone; The arm of flesh will fail you
And the glory, the glory of the Lord The chorus enters the work for the first time, and joined by the oboes, announces the revelation of God's glory: "And the glory, the glory of the Lord". The alto begins, the other voices answer (mostly homophonically), and gradually the music grows to a denser texture.
The march is now the musical setting for the hymn "God is our strength and refuge", based on Psalm 46. By the time the sheet music for the march was published in 1955, Carlene Mair had added the following lyrics: [4]
Schutte's compositions are primarily written for Catholic liturgical use, but over time have been used in Protestant worship. Some of the more notable include "City of God" (1981), "Only This I Want" (1981), "Blest Be the Lord" (1976), "You Are Near" (1971), "Though the Mountains May Fall" (1975), "Sing a New Song" (1972), "Glory and Praise to Our God" (1976), "Here I Am, Lord" (1981), "Table ...
The music to which the words of the refrain 'Land of Hope and Glory, &c' [a] below are set is the 'trio' theme from Edward Elgar's Pomp and Circumstance March No. 1. [1] The words were fitted to the melody on the suggestion of King Edward VII who told Elgar he thought the melody would make a great song.
Glory and Praise are post-Vatican II Hymnals from the United States Catholic Church, largely comprising the music of the St. Louis Jesuits. The book was published by North American Liturgy Resources (NALR) and the contents were later purchased by the Oregon Catholic Press .
Jahn's verses [7] [8] express a close, friendly, and familiar friendship with Jesus, who gives life to the poet. It has been noted that the original German hymn was characteristically a lively hymn of praise, which is carried over somewhat into Bach's arrangement; whereas a slower, more stately tempo is traditionally used with the English version.
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