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  2. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar , lute or vihuela , as well as many free reed aerophones such as the harmonica .

  3. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.

  4. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a trick that musicians use to figure out chord progressions on the fly. It is an easy tool to use if you understand how music works. It has been around for about four hundred years, but sometime during the past fifty years [approximately 1953–2003], Nashville got the credit.

  5. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    In modal tunings, the strings are tuned to form a chord which is not definitively minor or major. These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones. Often these tunings form a suspended chord on the open strings. A well known user of modal tunings is Sonic Youth. Asus2: E-A-B-E-A-E

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  7. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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