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Anton Bruckner's Symphony No. 1 in C minor, WAB 101, was the first symphony the composer thought worthy of performing and bequeathing to the Austrian National Library. Chronologically it comes after the Study Symphony in F minor and before the "nullified" Symphony in D minor .
Bruckner's Symphony No. 5 timing analysis, William Carragan; Anton Bruckner Critical Complete Edition – Symphony No. 5 in B flat major; Symphony No. 5 (Bruckner): Scores at the International Music Score Library Project; Full score (Haas edition) from the Indiana University School of Music; Page on the Symphony from a Bruckner site
Carlo Maria Giulini made a specialty of Bruckner's late symphonies as well as No. 2. Giuseppe Sinopoli was in the process of recording all Bruckner's symphonies at the time of his death. More recently, Riccardo Chailly, Christoph von Dohnányi, Christian Thielemann, Mariss Jansons, and Benjamin Zander have recorded several Bruckner symphonies.
The WAB numbers, used in the table below, refer to the Werkverzeichnis Anton Bruckner. This is a thematic catalogue of the music of Anton Bruckner compiled by Renate Grasberger. Lost works, sketches, etc. were added afterwards. Some other, still unclassified, works were identified as WAB deest. The WAB uses a single range of numbers divided ...
Music was a part of the school curriculum, and Bruckner's father was his first music teacher. [5] Bruckner learned to play the organ early as a child. He was very dedicated to the instrument just as he was later in life in composing, often practising for 12 hours a day. [ 8 ]
*According to the Anton Bruckner's Gesamtausgabe. Duration depends on the concerned version. 1 variants of the 1872 version reconstituted by Carragan, 2 variant of the 1877 version, 3 "mixed version" 1872-1877, 4 refined variant of the 1873 version, 5 Adagio edited by Nowak, other movements reconstituted by Carragan, 6 Scherzo with coda, 7 version with the new "Hunting" Scherzo and the ...
Nelsons was born in Riga.His mother founded the first early music ensemble in Latvia, and his father was a choral conductor, cellist, and teacher. [1] At age five, his mother and stepfather (a choir conductor) took him to a performance of Wagner's Tannhäuser, which Nelsons refers to as a profoundly formative experience: "...it had a hypnotic effect on me.
Erwin Horn, Klais-Orgel of the Frauenkirche, Nuremberg, Bruckner Orgelwerke – CD: Novalis 150 071–2, 1990 - with the Improvisationskizze Bad Ischl (improvisation on the finale of Symphony No. 1) Erwin Horn, Bruckner-Orgel (Sankt Florian), Was mir die Liebe erzählt - CD: MOT 13551, 2007 - with the Kaiserliche Festmusik (improvisation on the ...