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The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E â™ , smaller than the B â™ tenor but larger than the B â™ soprano .
The review by AllMusic's Al Campbell said: "saxophonist Frank Morgan continues to illuminate the Charlie Parker style of bebop he's been playing since the mid-'50s ... Morgan is featured on alto saxophone throughout, accompanied by an excellent trio of jazz stalwarts who have frequently collaborated over the years ...
The AllMusic review by Steve Loewy stated: "the results should please even the most discerning critic of free jazz. Surprises abound, as this is one of the finest examples of extraordinary free music from the 1980s.
He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music. [3] [4] A prolific composer with a vast body of cross-genre work, the MacArthur Fellow [5] and NEA Jazz Master has released hundreds of recordings and compositions. [6]
Alto Saxophone Improvisations 1979 is a solo album by American saxophonist and composer Anthony Braxton, recorded in 1978 and 1979 and released on the Arista label. [ 1 ] [ 2 ] The tracks were subsequently reissued on The Complete Arista Recordings of Anthony Braxton on Mosaic Records in 2008.
The Down Beat review by John Corbett notes "It’s a pleasure to hear Tim Berne’s alto saxophone sounding wonderful in tandem with Laubrock and trombonist Ben Gerstein." [ 2 ] The All About Jazz review by Karl Ackermann states " Ubatuba is an ambitious creation in terms of Laubrock's astoundingly complex writing and in the masterful ...
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
At the time Creston composed his sonata, French composers were leading the development of the classical saxophone. [11] The instrument suffered from a dearth of original concert repertoire: aside from Glazunov's Concerto, Debussy's Rhapsodie and Creston's own Suite, Leesons's recitals of the time were dominated by transcriptions of vocal and string music.
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