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Hassō-no-kamae (八相（八双）の構, "all (eight) directions"), frequently shortened simply to hassō and occasionally called hassō-gamae, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō, and waki. It is an offensive stance, named for one's ability to respond to a situation in any direction.
Kamae (構え) is a Japanese term used in martial arts and traditional theater. It translates approximately to "posture". The Kanji of this word means "base". The implied meaning is 'readiness' or 'be ready'. Kamae is to be differentiated from the word tachi (立ち), used in Japanese martial arts to mean stance.
Waki-gamae (脇構), sometimes shortened to waki, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki, as well as other related and older martial arts involving Japanese sword. Waki-gamae is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent ...
Chūdan-no-kamae is also called Seigan-no-kamae (正眼之構), or "right/correct eye posture," because the stance points the tip of the sword at the opponent's eyes. [1] In most traditional schools of swordsmanship, and in the practice of kendo, chūdan-no-kamae is the most basic posture, as it provides a balance between attacking and ...
Gedan-no-kamae (下段の構え Hiragana: げだんのかまえ), frequently shortened simply to gedan, occasionally shortened to gedan-gamae, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō, and waki. Gedan-no-kamae means "lower-level posture." This position is adopted when the sword is held out in front of the body ...
Jōdan-no-kamae is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki. In jōdan-no-kamae, the sword is raised above the head with the tip (kissaki; 切先) pointing back and the blade facing up, in readiness to strike. [1] It is the most aggressive stance of the five.
The fukuro shinai no kata (韜之形), or tō no kata as it is also named, is the second kata of the Jikishinkage-ryū style. The kanji 韜 is rare and old and is able to read as "tō" but has the meaning of fukuro (袋). [8] This kata is composed of fourteen stages, divided in six groups. Each stage has about four movements.
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