Search results
Results from the WOW.Com Content Network
Blazing Saddles is a 1974 American satirical postmodernist [4] [5] Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman. [6] The film stars Cleavon Little and Gene Wilder.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
Cleavon Jake Little (June 1, 1939 – October 22, 1992) was an American stage, film and television actor. He began his career in the late 1960s on the stage. In 1970, he starred in the Broadway production of Purlie, for which he earned both a Tony Award and a Drama Desk Award.
Lighter Side. Medicare. new
Claude Ennis "Jack" Starrett Jr. [1] (November 2, 1936 – March 27, 1989) was an American actor and film director. [2]Starrett is perhaps best known for his role as Gabby Johnson, a parody of George "Gabby" Hayes, in the 1974 film Blazing Saddles and is also known for his role as the brutal policeman Art Galt in the 1982 action film First Blood.
He is based on Brooks' character Governor William J. Le Petomane from Blazing Saddles, whom Brooks also played. [5] George Takei as Ohga, a muscular Manx cat who is the leader of Ika Chu's army. He is based on Slim Pickens' character Taggart from Blazing Saddles. [5] Aasif Mandvi as Ichiro, a slim tuxedo cat who usually hangs around with Chuck
Blazing Saddles: Boris, the hangman 1974 The Nine Lives of Fritz the Cat: The Devil, Additional Voices Voice 1977 High Anxiety: Flasher 1977 American Raspberry: Celebrity Sportsman Host 1980 Melvin and Howard: Wally 'Mr. Love' Williams 1983 Heart Like a Wheel: Bob Morton, 'Sportsline' 1984 The Wild Life: Craig Davis 1986 Something Wild: Richard ...
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.