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An article on Cracked.com, the website which adopted Cracked's name after the magazine ceased publication, joked that the magazine was "created as a knock-off of Mad magazine just over 50 years ago", and it "spent nearly half a century with a fan base primarily comprised of people who got to the store after Mad sold out."
Modern wooden fireplace mantel in a suburban American home. Up until the 20th century and the invention of mechanized contained heating systems, rooms were heated by an open or central fire. A modern fireplace usually serves as an element to enhance the grandeur of an interior space rather than as a heat source.
Images in this category are illustrations from artists who have been deceased for more than 100 years. But if the person or organization who digitized it has released it under another license, list that other license as well as this one.
Metropolitan Museum of Art, New York: The Allegory of Painting, also known as The Art of Painting: 1666–67 or c. 1666–68 [8] Oil on canvas, 100 × 120 cm Kunsthistorisches Museum, Vienna: Mistress and Maid, also known as Lady with her Maidservant Holding a Letter: 1667/68 Oil on canvas, 90.2 × 78.7 cm Frick Collection, New York
Above the fireplace is a bas-relief sculpture, [50] [292] which is made of cast concrete. [ 50 ] [ 288 ] There is a skylight on the ceiling above the living room's fireplace. [ 143 ] [ 288 ] [ 295 ] The room has oak furniture as well; [ 296 ] the backs of the armchairs are sloped at the same angle as the walls, and the tables have torcheres ...
(The Large Bathers) 1884–87: 115 cm × 170 cm (45 in × 67 in) Philadelphia Museum of Art, Philadelphia, Pennsylvania The Daughters of Catulle Mendès: 1888: 61.9 cm × 129.9 cm (24.4 in × 51.1 in) Metropolitan Museum of Art, New York City, New York [36] Young Woman with a Blue Ribbon (French: Jeune fille au ruban bleu) 1888
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Lorenzo Ghiberti (UK: / ɡ ɪ ˈ b ɛər t i /, US: / ɡ iː ˈ-/, [1] [2] [3] Italian: [loˈrɛntso ɡiˈbɛrti]; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise.
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