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Caribou in soapstone by Osuitok Ipeelee, Dennos Museum Center. Inuit sculptures had been produced prior to contact with the Western world. They were small-scale and made of ivory. In 1951, James Houston encouraged Inuit in Kinngait to produce stone carvings. [24] It was mostly men who took up carving.
His sculptures in green soapstone of caribou and birds are particularly valued for their balance and delicacy. He was an early collaborator with James Archibald Houston, and by Houston's account was instrumental in the conception of the West Baffin Island Eskimo Cooperative. He was also one of the witnesses of the last-remembered traditional ...
Ilisituk's work primarily features hunting themes. [3] in 1967, one of his sculptures was featured in Eskimo Sculpture, a highly acclaimed exhibition that the Winnipeg Art Gallery organized and presented at the Manitoba Legislative Building.
Contemporary Inuit art and handicrafts did not come about before the late 1950s as important resources for added value. soapstone sculptures, artistic drawings, hangings and tapestries (the latter mainly in Arviat, Baker Lake and Pangnirtung), attire, ceramics and dolls are providing a basic livelihood to a large number of Inuit artists of all ...
Angutitok used soapstone, ivory and whalebone in her art. Some of her sculptures portray scenes from the Bible; she was encouraged by Father Bernie Franzen. She also created sculptures of female figures. [1] In 2002, Canada Post created a Christmas stamp based on her sculpture Mary and Child. [2] [5]
Kenojuak Ashevak, CC ONu RCA (Inuktitut: ᕿᓐᓄᐊᔪᐊᖅ ᐋᓯᕙᒃ, Qinnuajuaq Aasivak) was a Canadian Inuk artist. She was born on October 3, 1927 at Camp Kerrasak on southern Baffin Island, and died on January 8, 2013 in Cape Dorset, Nunavut.
Eyetoaq married James Kingilik, also a soapstone sculptor, [2] in the early 1950s. [3] They had seven children, five biological and two adopted. [3] In 1968 they moved from their traditional Inuit camp at Beverly Lake to the Baker Lake settlement. [2] [3] After moving, they lived in a tent for two months due to a lack of housing. [3]
The Inuit oil lamps were made mainly of soapstone, but there are also some made of a special kind of pottery. [12] Sizes and shapes of lamps could be different, but most were either elliptical or half-moon shaped. [13] The taqquti or wick trimmers, also known as lamp feeders, were made of wood, willow, soapstone, bone or ivory. [14]
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