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He was born in the Close of Lincoln Cathedral, in Lincoln, England, May 1859. He was one of seven children, six boys and one girl. His father was a verger at the cathedral. [2] As a boy, William attended Lincoln School (now Lincoln Christ's Hospital School), and also earned money by guiding visitors up the central tower of the cathedral. [2]
Metropolitan Museum of Art, New York [71] Self-Portrait: c. 1836: Oil on canvas 55.9 by 45.7 centimetres (22.0 in × 18.0 in) New-York Historical Society, New York [72] [73] The Oxbow [note 5] 1836 Oil on canvas 130.8 by 193 centimetres (51.5 in × 76.0 in) Metropolitan Museum of Art, New York [74] The Course of Empire: The Savage State
John Collier, convert, sculptor of Catholic memorial at Ground Zero in New York City [673] James Collinson was a convert and Pre-Raphaelite. This is his 1878 depiction of the Holy Family. James Collinson [674] [675] William Congdon, after his conversion in 1959 he began his Crocefissi (Crucifixion) series [676]
Frederick Lincoln Stoddard (March 7, 1861 - February 24, 1940) was an artist known for his stained glass, paintings and murals, with notable pieces designed as public works in Missouri, New York, and Massachusetts.
Cooper was born in Philadelphia, Pennsylvania, on March 8, 1856, into a well-to-do family of English-Irish heritage. [1] He had four older and four younger siblings. His mother, Emily Williams Cooper, whose ancestor emigrated to the U.S. from Weymouth, England, [2] was an amateur painter in watercolors. [3]
The Sources of Music and The Triumph of Music are two murals that Marc Chagall painted in 1966 for the Metropolitan Opera House at the Lincoln Center in New York City.. Following a commission by the Metropolitan House for Chagall's set and costume design for Mozart's The Magic Flute for its inaugural season, [1] the murals were created for the lobby of the opera house, and are visible to the ...
De Wint's life was devoted to art; he painted admirably in oils, and he ranks as one of the chief English watercolourists. "No artist", asserted Alfred William Rich, "ever came nearer painting a perfect picture than did Peter de Wint." He frequently visited his wife's home city of Lincoln, and many of his panoramic landscapes and haymaking ...
Multiple projects for the 1939 New York World’s Fair; Oil-on-canvas mural for the ocean liner SS President Monroe, commissioned by the United States Maritime Commission and the Section of Painting and Sculpture (1940) [16] Inlaid marble altar frontal depicting the Annunciation for the Lady Chapel at St. Patrick's Cathedral, New York, 1942
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