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Similarly, at its London launch, NAD successfully demonstrated it driving the Linn Isobarik, whose impedance characteristics are known to be very challenging for amplifiers. [9] It was the best-known and best-selling amplifier in the annals of hi-fi. [2] The NAD 3020 revolutionised the amplifier segment of the hi-fi industry. [3]
Naim power amplifiers are given numbers according to their power output into nominal load of 4 ohms. The company's first amplifier, the NAP 160, is a two-channel power amplifier with an output of 60 watts per channel; the NAP 135, which is a one-channel amplifier based on the same design as the NAP 250 rated at 135 watts. A custom-built very ...
During the same era (late 1970s) PS Audio introduced its first power amplifier, the Model One, a solid state design producing 70 watts per channel into 8 Ohms and 140 watts per channel into 4 Ohms. The design was a classic AB amplifier design featuring the company's first full 19" chassis design, large power supply, low feedback and minimalist ...
This 2-way, 4-ohm, design was a physically much smaller product – measuring 425 × 332 × 244 mm (16.7 × 13.1 × 9.6 in) – that required tall speaker stands. Launched in 1978, it was Linn's entry-level loudspeaker until the Kan (a non-isobaric bookshelf speaker using the same Linn D20-LP-1 and KEF B110 drive units as its big brother) was ...
During the 1970s, the MC-2300 was an expensive piece of audio equipment, with a retail price of $1799 by the time of its discontinuation in 1980. [1] That being said, its outstanding power and sound production quality made it a valued part of many recording studios and although some people prefer the sound of tube amplifiers, the overall greater reliability and freedom from repair of the newer ...
The power rating has gradually increased over time, and current model Bandits are rated at 80 watts RMS into 8 ohms, and 100 watts RMS into 4 ohms. In the mid-1990s, the Bandit was used to introduce Peavey's proprietary TransTube circuitry, a solid-state technology aimed at emulating the sound of tube amplifiers. [9]
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