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Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.
A book entitled The Museum of Antiquity, in which a description is given of the Egyptian trades three thousand years ago, the following: Boxes, chairs, tables, etc., were often made of ebony inlaid with ivory, sycamore, and acacia veneering with thin layers and carved devices of rare woods added as ornament on inferior surfaces; and a fondness for display induced the Egyptians to paint common ...
Faux bois (from the French for false wood) refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l'œil . It was probably first crafted with concrete using an iron armature by garden craftsmen in France called " rocailleurs " using common iron materials: rods, barrel bands ...
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Used when a fast-curing, tough, hard finish is desired, such as for kitchen cabinets and office furniture. Comes in two parts: a resin and an acid catalyst. The first is a blend of an amino resin and an alkyd. The acid catalyst is added right before application in a set ratio determined by the manufacturer. Most produce minimal yellowing.
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