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According to the Hockney–Falco thesis, such optical aids were central to much of the great art from the Renaissance period to the dawn of modern art. The Hockney–Falco thesis is a controversial theory of art history , proposed by artist David Hockney in 1999 and further advanced with physicist Charles M. Falco since 2000 (together as well ...
Hockney's 2001 book Secret Knowledge resulted in widespread coverage of the "Hockney-Falco Thesis" in the popular media, including an hour-long BBC special and a segment on the CBS show 60 Minutes. In 2008, Falco gave the US National Art Education Association 's 'Ziegfeld Lecture', awarded for his role in this theory, and for its importance for ...
David Hockney was born in Bradford, West Riding of Yorkshire, England, the fourth of five children of Kenneth Hockney (1904-1978) [13] [14] who was an accountant's clerk who later ran his own accountancy business, [15] and who had been a conscientious objector in the Second World War, and Laura (1900-1999) née Thompson, [16] a devout Methodist and strict vegetarian.
The philosophy of self examines the idea of the self at a conceptual level. Many different ideas on what constitutes self have been proposed, including the self being an activity, the self being independent of the senses, the bundle theory of the self, the self as a narrative center of gravity, and the self as a linguistic or social construct rather than a physical entity.
His argument, known as the Hockney-Falco thesis, is that the notable transition in style for greater precision and visual realism that occurred around the decade of the 1420s is attributable to the artists' discovery of the capability of optical projection devices, specifically an arrangement using a concave mirror to project real images.
The Hockney thesis is that the renaissance advances in art were "primarily the result of optical aids" as is currently written in the lead. No one claims that Hockney discovered the camera obscura. The crucial thing is that it was necessary for the advances, and to my knowledge no one had claimed that before. I do not see any reason for your ...
Tim's Vermeer is a 2013 documentary film, directed by Teller, produced by his stage partner Penn Jillette and Farley Ziegler, [2] about inventor Tim Jenison's efforts [3] to duplicate [4] the painting techniques of Johannes Vermeer, in order to test his hypothesis that Vermeer painted with the help of optical devices.
The self-categorization theory developed by John Turner states that the self-concept consists of at least two "levels": a personal identity and a social one. In other words, one's self-evaluation relies on self-perceptions and how others perceive them. Self-concept can alternate rapidly between one's personal and social identity. [14]