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2. Stairway to Heaven - Wikipedia

   en.wikipedia.org/wiki/Stairway_to_Heaven

   "Stairway to Heaven" is a song by the English rock band Led Zeppelin, released on 8 November 1971 on the band's untitled fourth studio album (commonly known as Led Zeppelin IV), by Atlantic Records. Composed by the band's guitarist Jimmy Page with lyrics written by lead singer Robert Plant , it is widely regarded as one of the greatest rock ...

3. Taurus (instrumental) - Wikipedia

   en.wikipedia.org/wiki/Taurus_(instrumental)

   It was alleged that Jimmy Page of Led Zeppelin used the descending guitar-figure from "Taurus" for Led Zeppelin's signature song "Stairway to Heaven". [4] [5] Led Zeppelin had opened for Spirit in an early American tour, providing the possibility that Led Zeppelin had heard the Spirit song before "Stairway to Heaven" was written.

4. Masters of Chant Chapter II - Wikipedia

   en.wikipedia.org/wiki/Masters_of_Chant_Chapter_II

   "Stairway to Heaven" (featuring Amelia Brightman) (Jimmy Page, Robert Plant) (original by Led Zeppelin) (8:05) French, Belgian and Portuguese bonus tracks Voyage ...

5. Stairway to Heaven (Neil Sedaka song) - Wikipedia

   en.wikipedia.org/wiki/Stairway_to_Heaven_(Neil...

   "Stairway to Heaven" is a song written by Neil Sedaka and Howard Greenfield. It was released as a 45 rpm single and appeared on Sedaka's 1960 album Neil Sedaka Sings Little Devil and His Other Hits .

6. Family Reunion (album) - Wikipedia

   en.wikipedia.org/wiki/Family_Reunion_(album)

   The album was released in late 1975 on the Philadelphia International Records label. Recorded at Sigma Sound Studios in Philadelphia, and produced by Kenny Gamble and Leon Huff, Family Reunion includes the enduring classic "I Love Music" and "Livin' for the Weekend", both of which topped the R&B singles chart, and placed at #5 and #20 respectively on the pop chart.

7. Charles Davis Tillman - Wikipedia

   en.wikipedia.org/wiki/Charles_Davis_Tillman

   Rather, Tillman's contribution was that he culturally appropriated the song into the repertoire of white southerners, whose music was derived from gospel, a style that was a distinct influence on Buddy Holly and Elvis Presley. As published by Tillman, the song contains verses not found in Pike's 1873 version.