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Originally published London: Longmans, Green, and Co., 1882. Electronic text archive on the site of the Center for Advanced Research Technology in the Arts and Humanities, University of Washington. Sandberg-Diment, Erik. Artistic Route Through Romania, The New York Times, 1998. Sfântul Voievod Ştefan cel Mare, Chronicles. (retrieved)
The church of Archangel Michael in Săpânța-Peri from the village of Săpânța in the region of Maramureș, Romania is the tallest wooden church in the world. A representative of the characteristic wooden churches of Maramureș with double eaves, the church continues the tradition of the old Orthodox monastery in Peri, the ruins of which are now found in the area of Hrushove in Ukraine.
Winnie the Pooh is a variation of Statues where the person playing "Pooh" (the Curator) usually leans against a wall and has to shout "1, 2, 3, Winnie the Pooh, stop!" (so it is long enough for the players to reach some distance and because of the rhyme it provides in Bulgarian, where this version comes from) before turning to face the players.
No. 2 Fantaisie in A-flat major; No. 3 Fugue in A minor; No. 4 Adagietto in E minor; No. 5 Improvisation in C-sharp minor; No. 6 Fugue in E minor; No. 7 Allegresse in C major; No. 8 Nocturne No. 8 in D-flat major (1898–1902) Op. 85 Trois mélodies (1902) Dans la forêt de septembre; La fleur qui va sur l'eau; Accompagnement
Its style has been described as heavily influenced by disco, with strong rock overtones. [2] Its ambiguous lyrics have been described as a "linguistic delirium" [1] and have been variously interpreted. [3] The song has been included in the soundtrack of several films, notably Spider-Man: Far From Home and The Guest Room. [4] [5]
La care să se-nchine 𝄆 și cruzii tăi dușmani 𝄇. Acum ori niciodată să dăm dovezi la [c] lume Că-n aste mâni mai curge 𝄆 un sânge de roman 𝄇, Și că-n a noastre piepturi păstrăm cu fală-un nume Triumfător în lupte, 𝄆 un nume de Traian 𝄇! Înalță-ți lata frunte și caută-n giur de tine,
Pulcinella is a 21-section ballet by Igor Stravinsky with arias for soprano, tenor and bass vocal soloists, and two sung trios. It is based on the 18th-century play Quatre Polichinelles semblables, or Four similar Pulcinellas, revolving around a stock character from commedia dell'arte.