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Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
In Greek mythology, Kratos, also known as Cratus or Cratos, [a] is the divine personification of strength. He is the son of Pallas and Styx. Kratos and his siblings Nike ('Victory'), Bia ('Force'), and Zelus ('Glory') are all the personification of a specific trait. [5] Kratos is first mentioned alongside his siblings in Hesiod's Theogony.
The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for its ability to blend well with the soprano, alto, and baritone saxophones, with its "husky" yet "bright" tone. The tenor sax has been an important solo instrument in jazz music.
Nike, Kratos (Cratus), Zelos (Zelus), and Bia were born to Pallas and Styx. Zeus instituted and oath to be sworn by the waters of Styx that flowed from a rock in Haides' realm, an honor granted in return for the help she and her children gave him against the Titanes (Titans).
Since Zeus forbids the gods to fight each other, Kratos searches for Pandora's Box, which gives him the power to rival a god. Ares is slain by Kratos, who takes his position as "God of War". Ares reappears in the sequel God of War II during a flashback near the beginning.
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