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Other than the function of emphasizing ideas, the use of anaphora as a rhetorical device adds rhythm to a word as well as making it more pleasurable to read and easier to remember. Anaphora is repetition at the beginning of a sentence to create emphasis. Anaphora serves the purpose of delivering an artistic effect to a passage.
Expository writing is a type of writing where the purpose is to explain or inform the audience about a topic. [13] It is considered one of the four most common rhetorical modes. [14] The purpose of expository writing is to explain and analyze information by presenting an idea, relevant evidence, and appropriate discussion.
The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet".
In poetry cadence describes the rhythmic pacing of language to a resolution [2] and was a new idea in 1915 [3] used to describe the subtle rise and fall in the natural flow and pause of ordinary speech [4] where the strong and weak beats of speech fall into a natural order [5] restoring the audible quality to poetry as a spoken art. [6]
Anapestic tetrameter is a rhythm well suited for comic verse, and prominent examples include Clement Clarke Moore's "A Visit from St. Nicholas" and the majority of Dr. Seuss's poems. When used in comic form, anapestic tetrameter is often highly regular, as the regularity emphasizes the breezy, melodic feel of the meter, though the initial ...
Its use in English poetry is rare. [2] Depending on the position of the long syllable, the four paeons are called a first, second, third, or fourth paeon. [3] The cretic or amphimacer metrical foot, with three syllables, the first and last of which are long and the second short, is sometimes also called a paeon diagyios. [4]
Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed [ dubious – discuss ] and may be followed by a variable number of unstressed syllables. [ 1 ]
Writing a speech involves several steps. A speechwriter has to meet with the executive and the executive's senior staff to determine the broad framework of points or messages that the executive wants to cover in the speech. Then, the speechwriter does his or her own research on the topic to flesh out this framework with anecdotes and examples.