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The Final Cut is the twelfth studio album by the English rock band Pink Floyd, released on 21 March 1983 through Harvest and Columbia Records. It comprises unused material from the band's previous studio album, The Wall (1979), alongside new material recorded throughout 1982.
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The song appears on their 1983 album, The Final Cut. [2] It is the eighth track on the album and is arranged between "Get Your Filthy Hands Off My Desert" and "Southampton Dock". The song is also featured on the Pink Floyd compilations Echoes: The Best of Pink Floyd [3] and A Foot in the Door – The Best of Pink Floyd. [4]
"Your Possible Pasts" also appeared on a 12-inch promotional single entitled Selections from The Final Cut, with "The Final Cut" on the B-side. [ 5 ] [ 6 ] However, despite not being released as a commercial single, the song did receive significant radio play, resulting in the song hitting number 8 on the Billboard Mainstream Rock chart in America.
In a review for The Final Cut, Justin Gerber of Consequence of Sound described "Two Suns in the Sunset" as "the album's crowning achievement." [ 10 ] Toby Manning was less enthusiastic in his retrospective review, saying that this was the one song off The Final Cut where the musician Waters couldn't stay on the same level as the conceptualist ...
Pink Floyd used innovative sound effects and state of the art audio recording technology during the recording of The Final Cut. Mason's contributions to the album were almost entirely limited to work with the experimental Holophonic system, an audio processing technique used to simulate a three-dimensional effect.
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Both appear on Pink Floyd's second album, A Saucerful of Secrets, [10] the first of several to feature cover artwork by Hipgnosis. [11] In 1969, Pink Floyd released a soundtrack album, More, and a combined live and studio album, Ummagumma. [12] Atom Heart Mother (1970) was a collaboration with Ron Geesin, featuring an orchestra and choir. [13]