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Josephine Augusta Trott (December 24, 1874 - March 2, 1950) was an American author, composer, and music educator who sometimes wrote under the pseudonym Colin Shepherd. [1] Her violin pedagogy books are still in use today. [2] Trott was born in Wilmington, Illinois, to Dr. Stenson E. and Augusta J. Trott. [3]
Suite No. 2, for solo violin (2011) -to Gil Shaham- (1. Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements ...
The 42 études ou caprices ("42 études or capriccios") for solo violin were composed by Rodolphe Kreutzer around 1796. While Kreutzer was a prolific composer with some 50 stage works and dozens of other pieces to his credit, he is best known as a pedagogue.
Violin Concerto No. 2 (2004) "De Profundis" Violin Concerto No. 3 (2015) "The Infant Minstrel and His Peculiar Menagerie" for Violin, Choir and Orchestra (2016) Lydia Auster. Lyrical concertino "Summer in Käsmu", op. 25 (1966) Tor Aulin. Violin Concerto No. 1 in G minor (1891) Violin Concerto No. 2 (1893) Violin Concerto No. 3 in C minor (1906)
Violin Sonata No. 2 in D major, Op. 3; Violin Sonata No. 3 in A major, Op. 41; Violin Sonata No. 4 in C major, Op. 72 (gave rise to a scandal at its premiere with a work by Ludwig Thuille) Violin Sonata No. 5 in F-sharp minor, Op. 84; Violin Sonata No. 6 in D minor, Op. 103b/1; Violin Sonata No. 7 in A major, Op. 103b/2
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Concerto No. 2 in D major for 2 violins and orchestra, H. 329; Karl Marx: Concerto for 2 violins and orchestra; Wolfgang Amadeus Mozart: Concertone in C major for 2 violins and orchestra, K. 190; Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra; Arvo Pärt: Tabula Rasa for 2 violins, prepared piano and string orchestra
In addition to the two soloists, the concerto is scored for strings (first violin, second violin and viola parts) and basso continuo. [3] The musical structure of this piece uses fugal imitation and much counterpoint. [7] The concerto comprises three movements: Vivace in D minor, 4 4; Largo ma non tanto in F major, 12 8; Allegro in D minor, 3 4