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Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete. [9] Relying solely on private donations, Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War.
Portrait by Andrea del Castagno, c. 1450. The details of Boccaccio's birth are uncertain. He was born in Florence or in a village near Certaldo where his family was from. [5] [6] He was the son of Florentine merchant Boccaccino di Chellino and an unknown woman; he was likely born out of wedlock. [7]
Walpurga died on 25 February 777 or 779 (the records are unclear) and was buried at Heidenheim; the day carries her name in the Catholic church calendar. In 870, Walpurga's remains were translated to Eichstätt. In Finland, Sweden, and Bavaria, her feast day commemorates the transfer of her relics on 1 May.
Page from Vita Sancti Martini by Sulpicius Severus. A hagiography (/ ˌ h æ ɡ i ˈ ɒ ɡ r ə f i /; from Ancient Greek ἅγιος, hagios 'holy' and -γραφία, -graphia 'writing') [1] is a biography of a saint or an ecclesiastical leader, as well as, by extension, an adulatory and idealized biography of a preacher, priest, founder, saint, monk, nun or icon in any of the world's religions.
The literature that makes up the ancient Egyptian funerary texts is a collection of religious documents that were used in ancient Egypt, usually to help the spirit of the concerned person to be preserved in the afterlife.
As the century progressed, "graveyard" poetry increasingly expressed a feeling for the "sublime" and uncanny, and an antiquarian interest in ancient English poetic forms and folk poetry. The "graveyard poets" are often recognized as precursors of the Gothic literary genre , as well as the Romantic movement.
Sepoltuario (pl. sepoltuari, Italian) is a register in which the burials in a specific Italian cemetery are noted. [1]In the pre-modern era in Italy, sepoltuari were registers in which the sepulchers of families or confraternities were recorded in a particular church or in a specific cemetery. [2]
For instance, Eliade's The Sacred and the Profane partially builds on Otto's The Idea of the Holy to show how religion emerges from the experience of the sacred, and myths of time and nature. Eliade is known for his attempt to find broad, cross-cultural parallels and unities in religion, particularly in myths.