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The wolf in the Scandinavian tradition as either representing the warrior or protector, sometimes combined with the Christian symbolism as the wolf representing evil or the devil, came to be a popular attribute in the heavy metal music subculture, used by bands such as Powerwolf, Sonata Arctica, Marduk, Watain, Wintersun, and Wolf.
Wepwawet originally was seen as a jackal, or, according to some, a wolf deity, with his cult center being at the Lycopolis, (meaning city of wolves in Greek). He is one of the earliest Egyptian Gods on record.
"The White Wolf" (French: Le Loup Blanc) is a French-language fairy tale collected from Wallonia by authors Auguste Gittée and Jules Lemoine. It is related to the international cycle of the Animal as Bridegroom or The Search for the Lost Husband, wherein a human princess marries a prince under an animal curse, loses him and has to search for him.
Aswang is an umbrella term for various shape-shifting evil creatures in Filipino folklore, such as vampires, ghouls, witches, viscera suckers, and transforming human-beast hybrids (usually dogs, cats, pigs).
In French heraldry, the Wolfcatcher Royal had as his official insignia two wolf heads facing frontally. A horned, wolf-like creature called the Calopus or Chatloup was at one time connected with the Foljambe and Cathome family. Modernly, the coat of arms of the secular separatists in Chechnya bore the wolf, because the wolf is the Chechen (or ...
Chechen seal bearing a wolf, the nation's symbolic embodiment. The wolf is frequently used for insignia and images, as a symbol of the Chechen nation. Common poses involve the wolf howling off the top of a mountain (Chechnya is very mountainous), laying down, or staring at the viewer. The different poses evoke different symbolism:
The culture of the Philippines is characterized by cultural and ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
Biag ni Lam-ang (lit. ' The Life of Lam-ang ') is an epic story of the Ilocano people from the Ilocos region of the Philippines.It is notable for being the first Philippine folk epic to be recorded in written form, and was one of only two folk epics documented during the Philippines' Spanish Colonial period, along with the Bicolano epic of Handiong.